June 2012

58mm White Balance Snap Cap

DESCRIPTION
As we know, lenses are valuable items, and even a small scratch can mar them forever. So in order to protect it, we recommend you this professional white balance lens cap. The white balance lens cap has the ability that can protect the lens from water and dust. It is critical to essential for digital cameras during storage and transport. And the white balance lens cap is very handy and convenient to keep in your gear bag. This lens cap is truly a winner. Don't miss it!

Features

    White Balance Lens Filter Cap snaps securely to your lens
    Protect your valuable lenses from scratches and dirt
    Very handy item to keep in your gear bag
    Easy and convenient to use
    Pinch the sides of the cap and snap it into place, it fits securely and your lenses are covered
    Size: 58mm / 2.28in (Dia.)

Package Includes

    1 x 58mm White Balance Snap Cap

DETAILS

Here is the operation procedure of using a balance snap cap with a camera. First of all, put the balance snap cap on the camera exactly. The exposure should be increased when users want to test the light around. Secondly, when the camera is working, the white cover is supposed to face to the light source. Then adjust balance mode to manual mode through WB button. At last, press the WB button one second until the sign of PcE is shining. Then press the shutter button to finish the whole action.
How to Remove a Lens Cap

A standard lens cover usually comes with a camera. Larger SLR and digital SLR cameras, like the Canon Rebel, typically have removable lens caps that come with the camera. On these cameras, you will need to remove the lens cap before you can take a picture. Overall, the cap is a valuable asset to a camera, as it protects the lens from getting scratches or dirt on the it when it is not in use.
Instructions

    Be aware of your surroundings. Make sure you will not be able to drop the lens cap off a cliff or drop it in someone's drink by accident. Take the lens cap off before turning the camera on. Sometimes the lens cap will pop off the camera and damage the cap.
    Grab hold of your camera so that it won't fall out of your hands by placing your right hand under the camera to get a firm grip. You can also put the camera's strap around your neck for security.
    Place your forefinger and the thumb of your free hand around the cap. Many lens caps have two small latches across from each other. If that is the case, press the latches in toward each other.
    Pull off the lens cap and start taking photographs. Put your lens cap somewhere you will remember.
    Replace the lens cap after each use. It will protect your lens from getting dirty or cracked.

Canon EOS Rebel T4i

Over the last few years, Canon's EOS Rebel series of entry level DSLRs has become a fertile market for those wishing to make the jump to DSLR while remaining budget conscious. For 2012, Canon has announced the T4i, described as their flagship entry level model. Previous models, the T3i and T3, will remain in production as more affordable options. The T2i is slated to be discontinued (so look out for steep discounts). On the surface, the T4i boasts similar specs to the T3i -- 18 megapixels, vari-angle display, 5 frames per second burst shooting, Full 1080p HD video recording (in 24 or 30 frames per second), and compatibility with all Canon EF and EF-S lenses. But there's some new tech under this new Rebel's hood.

First, the APS-C sized image sensor is actually a "Hybrid CMOS AF" sensor, which means it has Auto Focus built right in and uses both phase and contrast detection for optimizing Auto Focus delay in both still and video recording. Essentially, it's the best of both worlds between still and video camera technology. How does this help you? Well, the the T4i not only has the 9-point All Cross Type AF from the 60D (previous Rebels only had 1 Cross Type), but when combined with the new EF 18-135mm STM kit lens, the T4i has Movie Servo AF, which is virtually silent while running continuous Auto Focus during video recordings. If you've ever tried to record video from an older Rebel models or most current DSLRs, you're probably well aware of that buzzing, clicking sound the whole AF system makes because it's hidden behind the internal mirror. Now, you can focus silently and on the fly, electing for the camera to focus for you based on Face Recognition, Single Point, or Multipoint AF settings. Or you can direct the focal points yourself using the T4i's new touchscreen vari-angle display. Heck, this Auto Focus will even, after you tell it what your subject is, track said subject whether you move the camera or he/she/it moves.

The T4i's touchscreen, another improvement over the T3i, is like having an iPhone or Android smartphone tucked into the back of a DSLR. It's super easy to access menu functions, settings like shutter speed or aperture, as well as pinch-zooming or flipping through recently shot photos. The screen itself, which we personally demoed, is much easier to use that some of Canon's earlier touch screens -- everything works with the lightest touch and, after a quick learning curve, it may even change the way some shutterbugs operate DSLRS (though don't worry, the trusted physical buttons remain intact).

Mutli-shot Noise Reduction is another new feature, which merges 4 shots to eliminate as much noise as possible from certain shooting conditions. Also, you can choose how much of the camera's Noise Reduction you prefer, whether there be lots of NR or none at all. Canon engineers have also redesigned the Mode Selection dial a bit. Gone are the Video recording and A-DEP selections. A-DEP, according to Canon, was a rarely used holdover from the film era, and Video has been relocated to a selection next to the ON/OFF switch (a nice location, in my humblest opinion). Replacing A-DEP and Video on the dial, we have two new modes: Handheld Night and HDR Backlight. Handheld Night merges 4 photos to obtain the clearest elements during low light shooting, and HDR Backlight merges 3 shots at various exposures to create that wide contrast and saturated look of HDR photography. However, it's important to note that owners won't have access to the 3 "separate" photos; the only image saved is the final product. And, it should also be noted that all of these multi-shot combinations are only good with .JPG photos.

We only had a few short minutes to play with a pre-production model T4i, but we look forward to exploring the camera more. If you've considered buying, or own, previous EOS Rebel cameras, the T4i has much of the same horsepower as those trusted cameras with a few added performance features aimed at those who want his or her DSLR to be a much better video camera (there's even a new built-in stereo microphone). The question potential buyers will have to ask themselves is this; is quiet video, an upgraded processor, stereo sound recording, and a terrific touchscreen experience worth the increased prices (about a $100 over what I paid for a T2i when it was new)?

Canon EOS Rebel T4i Features:

    . 18 megapixel APS-C sized "Hybrid CMOS AF"
    . 3.0" vari-angle touch screen viewfinder (1.04M dots)
    . Supports Multi-Touch Function -- think of it like your iPhone or Android -- pinch, swipe, etc.
    . DIGIC 5 processor
    . ISO 100-12800 (expandable to 25600)
    . 5 frames per second burst shooting
    . 9-point All Cross Type AF
    . AF Selection Types
        - Face Detection
        - Multipoint AF
        - Single Point AF
    . Full 1080p HD video recording at 30p or 24p. 720p at 60p.
    . Movie Servo AF for continuous and silent auto focus while shooting video (especially quiet when using one of the two new STM lenses)
    . Built-in Stereo Mic
    . Mutli-shot Noise Reduction
    . 2 New Creative Filters
        - Art Bold (similar to a new filter on the 5D Mark III)
        - Water Painting
    . Compatible with the optional GP-E2 GPS Receiver
    . Compatible with the latest high speed SD cards, including UHS1
    . Uses the same battery as the T3i
    . Compatible with all EF and EF-S lenses

The Canon Rebel EOS T4i will be available in late June (of 2012) at three MSRP price points: 1) $849 Body Only, 2) $949 with the standard 18-55 kit lens, or 3) $1199 for the 18-135 STM kit.

Two new lenses will also be available in late June, the previously mentioned STM EF 18-135, which will cost $549, as well as the STM EF-40 f2.8 costing around $199. "STM" stands for Stepping Motor Technology, and with the 18-135 model in particular, it provides ultra smooth and virtually silent continuous autofocus when used with the new T4i.